Dr David Starkey’s exploration of how the monarchy shaped Britain’s music concludes with the 19th and 20th centuries, when the crown rediscovered the power of pageantry and ceremony and when native music experienced a renaissance.
David discovers the royal origins of such classics as Edward Elgar’s ‘Land of Hope and Glory’, Hubert Parry’s ‘I Was Glad’ and William Walton’s ‘Crown Imperial’, as well as finding out how the twentieth century’s coronations – culminating in the crowning of Elizabeth II – cemented the repertory of royal classics in the hearts of the British people. He hears music written by Queen Victoria’s beloved Albert, Prince Consort, played for him in Buckingham Palace on a lavish golden piano which was bought by Victoria and Albert themselves. There are also specially recorded performances from St Paul’s Cathedral Choir and Westminster Abbey and of works by Felix Mendelssohn, Arthur Sullivan, Charles Villiers Stanford, and Ralph Vaughan Williams, as well as Hubert Parry’s classic ‘Jerusalem’.
David uncovers a rarely seen, diamond-encrusted conductor’s baton that was a gift from Queen Victoria to her private organist, Sir Walter Parratt. He also recounts the duets sung by Italian opera composer Gioacchino Rossini with George IV in his decadent pleasure palace, the Brighton Pavilion; and visits the Royal College of Music in London, and St George’s Chapel at Windsor Castle, both of which played a crucial role in the revival of British music.
Video Source: ▶ David Starkey’s MUSIC & MONARCHY 4. Re-inventions – YouTube Published on 15 Jan 2014 Victor Alexiev