Josquin Des Prez (±1450 – 1521): Qui habitat

This twenty-four part (6 × SATB) setting by Josquin of the text of first eight verses of Psalm 90 in the Vulgate. It’s composed of four interwoven six-voice canons augmented by some very intricate and detailed decoration underlain by a harmonic ostinato. Gabriel Jackson’s notes for the performance below can’t be bettered by me: Surviving…

Robert White (±1538-1574): Magnificat

When Morley, was writing his A Plaine and Easie Introduction to Practicall Musicke (1597) he listed White as one of the greatest English composers saying that he was equal to de Lassus and included him in a list of seven eminent Tudor composers that included "Fayrfax, Taverner, Sheppard, Whyte, Parsons and Mr Byrd." Whenever I…

Maurice Green (1696 – 1755): Lord, let me know mine end

Green was an important composer in his day his music was "generally buoyant and attractively tuneful, is thus more elegant and polished than that of almost all his immediate predecessors and contemporaries" perhaps because he wrote in a more cosmopolitan style than they did. His modern reputation has suffered mostly because Burney took against him.…

Gemma nitens

The source of Gemma nitens (O shining jewel) is a manuscript in the archives of Gonville & Caius College, Cambridge, (MS 512), it’s a two part piece in honour of The Virgin composed for the feast of The Annunciation and in its time would have been one of many pieces of music dedicated to her…