Peter Philips (±1560-1628): O quam suavis

This is the second of two settings by Philips of O quam suavis the Magnificat Antiphon for First Vespers on the Feast of Corpus Christi, it’s an eight-part (SATB.SATB) setting  and was published in the 1613 in the first edition of his Cantiones sacrae octonis vocibus. The setting is a bit unusual in that he…

The Georgia Boy Choir – A Red, Red Rose

The Georgia Boy Choir singing The Red, Red Rose, by James Mulholland. This performance was recorded on May 23, 2015, in Philadelphia, Pennsylvania, at the beginning of its China Tour during the wedding of Hannah Jordan LoRusso and Duane Griffith Rivaud White at Tenth Presbyterian Church. If you’re not familiar with it "A Red, Red…

Mater ora filium — 14th century polyphony

This source of this charming piece of 14th century polyphony is a Gradual of Sarum chant now in the University of Oxford’s Bodleian Library1 Both the composer and the text’s author are unknown and it seems likely as it was the only polyphonic item in the gradual that it was intended for liturgical use. It’s…

Robert Fayrfax (1464-1521): Magnificat super O bone Jesu

Fayrfax’s 5-part (treble, mean, contratenor, tenor and bass) setting of the Magnificat takes a now lost antiphon O bone Jesu(O good Jesus) as its starting point. It’s and alternatim setting with Fayrfax setting only the even-numbered verses leaving the odd-numbered ones as chant. Like most of his music it combines clarity with some very complex…