Alessandro Scarlatti (1660–1725): Cantata pastorale per la natività di Nostre Signore (Christmas Cantata)

A Scarlatti – Christmas Cantata – Cantata pastorale per la natività di Nostre Signore: Oh di Betlemme altera povertà Gertraut Stoklassa, soprano Purcell Singers / Mainz Chamber Orchestra / Gunter Kerr 1.Sinfonia 2.Recitativo: O di Betlemme 3.Aria: Dal bel seno d’una stella 4.Recitativo: Presa d’uomo la forma 5.Aria: L’Autor d’ogni mio bene 6.Recitativo: Fortunati pastori…

Dieterich Buxtehude (±1637-1707): Herren, vår Gud

This is one of the only two Swedish texted works by Buxtehude to have survived (I wrote about the other one at the start of September, see Dieterich Buxtehude (±1637-1707): Att du Jesu vill mig höra | Saturday Chorale – mfi). The text of Herren, vår Gud (The Lord Our God) is a poetic paraphrasis…

Giovanni Battista Pergolesi (1710-1736): — Septem verba a Christo in Cruce — Akademie Für Alte Musik Berlin, René Jacobs

Is this really by Pergolesi? Musicologists have argued the question for for more than a century. There’s no conclusive evidence that it’s by him, yes there are monastic manuscripts dating from nearly a quarter century after his death attributing the Septem verba a Christo in cruce moriente prolata  (The Seven Words of the Dying Christ…

Franz Tunder (1614-1667): Ach Herr, laß deine lieben Engelein

Bach used the text to Tunder’s cantata Ach Herr, laß deine lieben Engelein (O lord, let Thy dear angels) in the closing chorale of Bach’s St. John Passion, it’s from Schalling’s hymn Herzlich lieb hab ich dich, o Herr (Great is my love for Thee, o Lord) but there’s absolutely no resemblance between the two…