Posts Tagged ‘ British Choirs ’

4th Sunday of Lent 2014 Robert Fayrfax (1464-1521): Maria plena virtutate

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March 30, 2014

Of all Fayrfax's works his meditation on the Passion "Maria plena virtute" (Mary full of virtue) is the one that I find the most moving.

markfromireland

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Advent Antiphons 2013: O Clavis David

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December 20, 2013

The sources for this Antiphon Isaiah 22:22, Jeremiah 13:13; 51:19 , Matthew 4:16; 16:19, Luke 1:79, and Revelation 3:7 all deal in some way or another with the concept of holding keys. Ceremonial keys were a symbol both of authority and of stewardship in Biblical times and a symbolic key worn on the shoulder was a symbol both priestly authority, stewardship, and of course kingship. Thus Isaiah 9:6:

parvulus enim natus est nobis filius datus est nobis et factus est principatus super umerum eius et vocabitur nomen eius Admirabilis consiliarius Deus fortis Pater futuri saeculi Princeps pacis

For a CHILD IS BORN to us, and a son is given to us, and the government is upon his shoulder: and his name shall be called Wonderful, Counsellor, God the Mighty, the Father of the world to come, the Prince of Peace.

markfromireland

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Edward Elgar (1857-1934): The Apostles, Op 49 – Prologue: The Spirit of the Lord

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November 30, 2013

Elgar statue Great Malvern The Apostles was the first of Elgar's two Biblical oratorios to be completed and received its first performance at Birmingham Town Hall on October 14th 1903 it tells of Jesus calling the Apostles, his teaching them and his betrayal and the ascension. Four years later its Prologue was extracted by the music publishing firm Novello and printed as part of their famous series of choruses for use in churches. It's a composite text which Elgar compiled from a variety of Biblical sources and, as you might expect from a prologue, it introduces many of  the themes and motifs to be found in the oratorio. This thematic diversity is one of the reasons why it's not necessarily the easiest piece of music in the world to sing when sung well however it's a very worthwhile piece of music in its own right. Enjoy :-).

markfromireland

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Arvo Pärt (b1935): I am the true vine

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November 5, 2013

ceilingbossnorwichcathedral Pärt  wrote this setting of John 15: 1-14 for the 900th anniversary of the foundation of Norwich Cathedral in 1996. His aim was to was recreate in music the sort of sinuous patterns that you see in vines while at the same time expressing musically the strenght of the metaphor. To do that he created a pattern of notes that he repeated six times as the work unfolds. This framework and the fact that the pitches remain unaltered throughout represents the vine's trunk – and the central message of the text.

Having set the main framework, or trunk, Pärt alters his rhythms as need to suit the text switching smoothly from lower to upper and adding and subtracting voices at will. Enjoy :-).

markfromireland

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What is the Kyriale?

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October 24, 2013

kyriale I'm quite often asked what the Kyriale is. – The answer is very simple it's a collection of eighteen Gregorian chant settings of the Mass together with six Credos and a few other chants. All of these Mass settings as well as being worthwhile listening to in their own right have been used again and again and again by religious music composers as the basis for their own settings of the Mass. It's existed in one form or another since the thirteenth century.

Of the eighteen Masses (each of which consists of the Kyrie, Gloria, Sanctus, and Agnus Dei) I suppose the Missa de Angelis (Mass VIII)and the Missa Orbis Factor (Mass XI ) are the most widely known today and so in the interests of bringing you music with which you may be unfamiliar I'm including a rather beautiful modern Kyriale setting 'Missa Cum iubilo (Mass IX)' below. Enjoy :-).

markfromireland

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Forthcoming Posts

  • Orlando Gibbons (1583-1625): ‘Drop, drop, slow tears’
  • 6th Sunday of Lent 2014: Joseph Haydn (1732-1809) The Seven Last Words of our Saviour on the Cross Op 51

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