William Byrd (±1539-1623): Oculi Omnium

Byrd’s four-part (ATTB) setting  of Oculi Omnium which was prescribed as the Gradual & Alleluia for Corpus Christi & Votive Mass of the Blessed Sacrament was published in the 1605 Gradualia of (vol. 2, no. 2), it’s a very direct setting of the text that moves to three voices at ‘Aperis tu manum tuam …’…

William Byrd (±1539-1623): O Rex gloriae

O Rex gloriae (O King of glory) is the antiphon to the Magnificat for Second Vespers at Ascension. Byrd’s setting of the antiphon was published in the 1607 Gradualia it’s a five-part (AATTB) setting which demands considerable vocal range and dexterity from those singing it. Enjoy :-). mfi

William Byrd (±1539-1623): Salve sancta parens

Salve sancta parens (Hail, holy parent) is the Introit at Mass for´the Nativity of the Virgin which is celebrated on September 8th. Byrd published this setting of it in the first volume of Gradualia in 1605 it’s a relaxed and confident piece of music with an upward sweeping melody and an interesting use of tone…

William Byrd (±1539-1623): Ecce quam bonum

Ecce quam bonum was published in the 1605 Gradualia. It’s the gradual for Pentecost XXII – the Twenty-second Sunday after Pentecost and is a bit unusual amongst Byrd’s Psalm settings in that it’s a setting of the entire text of the Psalm. The text of Ecce quam bonum (Psalm 132 in The Vulgate) starts by…

William Byrd (±1539-1623): O salutaris hostia

O salutaris hostia (O Saving sacrifice) is the final stanza of the hymn Verbum supernum prodiens, composed by Aquinas for the Hour of Lauds in the Office of the Feast of Corpus Christi. It’s often selected for use as a hymn in its own right for Benediction and as a motet for Mass after the…

William Byrd (±1539-1623): Deo gratias

This four-part setting of Deo Gratias was published in the 1605 Gradualia. In his notes Andrew Carwood describes it as ‘tiny’ and so it is. Tiny, but very useful as it could be used on so many occasions and is also very beautiful. Enjoy :-). mfi

William Byrd (±1539-1623): Constitues eos principes

Constitues eos principes (You will make them princes) is one of three pieces of music that Byrd composed specifically for the feast of saints Peter and Paul, he published it in the 1607 Gradualia. It’s a six-part setting, confident and modern and full of energy in which the anguish we associate with the Cantiones is…

William Byrd (±1539-1623): Alleluia. Ascendit Deus

The Feast of the Ascension which this year falls on May 14th 2015 is celebrated forty days after Easter and celebrates Christ’s departure for Heaven. As a major feast of the Church it has particular texts read at various points of the Mass to reflect the liturgical theme proper to the day. Hence the term…

William Byrd (±1539-1623): Felix es, sacra Virgo

Byrd published this beautiful setting of the Alleluia at Mass for the Nativity of the Virgin  in 1605 in the first volume of Gradualia. He had a very specific agenda which was to set music for "the principal Feasts of the Blessed Virgin Mary" together with antiphons and hymns to her.  It’s a beautifully flowing…

William Byrd (±1539-1623): Felix es, sacra Virgo

Byrd published this beautiful setting of the Alleluia at Mass for the Nativity of the Virgin  in 1605 in the first volume of Gradualia. He had a very specific agenda which was to set music for "the principal Feasts of the Blessed Virgin Mary" together with antiphons and hymns to her.  It’s a beautifully flowing…

William Byrd (±1539-1623): O magnum misterium

O magnum misterium is Byrd’s SATB setting of this much-loved text. He published it in the 1607 Gradualia, it’s a lovely piece of music in which he conveys his sense of awe and wonder at The Nativity. In the performance below the Cambridge Singers have included Beata Virgo, which although it’s a separate motet, followed…