Peter Philips (±1560-1628): O quam suavis

This is the second of two settings by Philips of O quam suavis the Magnificat Antiphon for First Vespers on the Feast of Corpus Christi, it’s an eight-part (SATB.SATB) setting  and was published in the 1613 in the first edition of his Cantiones sacrae octonis vocibus. The setting is a bit unusual in that he…

Tomás Luis de Victoria (1548-1611): Ascendens Christus in altum – Gradualia

This impressive live performance of Victoria’s five-part (SSATB) Ascension motet Ascendens Christus in altum (Christ ascending on high) shows what a small talented choir can do with Victoria’s wonderfully sunny and happy music. Modern performances of Victoria’s music tend to involve large forces but as Gradualia’s excellent performance which you can hear below clearly demonstrates…

Francisco Guerrero ( 1528 – 1599): Prudentes virgines

Francisco Guerrero’s five-part motet Prudentes virgines (wise virgins) sets a text based on the Gospel parable of the ten virgins (the parable of the Wise and Foolish Virgins) it was first published in Venice in 1570.  Guerrero was greatly admired by his contemporaries not least Alonso Lobo who based his Missa Prudentes virgines upon Guerrero’s…

Alonso Lobo (1555-1617): Vivo ego, dicit Dominus

Alonso Lobo (not to be confused with the Portugese composer Duarte Lôbo) was a native of the province of Seville and spent most of his professional life there. He was born in Osuna in 1555 and at the age of eleven became a choirboy in Seville’s Cathedral, he studied music at Osuna University taking the…