Maurice Green (1696 – 1755): Lord, let me know mine end

Green was an important composer in his day his music was "generally buoyant and attractively tuneful, is thus more elegant and polished than that of almost all his immediate predecessors and contemporaries" perhaps because he wrote in a more cosmopolitan style than they did. His modern reputation has suffered mostly because Burney took against him.…

Christopher Gibbons (1615 – 1676): O Bone Jesu

A Latin-texted motet is, as you might expect, quite unusual amongst Gibbons’ compositions1. It’s very beautifully and expressively written and with an very special sound-world. The soprano hovers more than an octave over the three lower voices the effect of which is heightened by sharpened interjections. I found it a very striking piece of music…

Ēriks Ešenvalds (b1977): Psalm 67

Ešenvalds setting of Psalm 67 was premiered by Stephen Layton and Polyphony in Amsterdam in 2012  a very traditional Anglican chant sounding baritone solo is responded to by the full choir singing a very chordal setting of the text. It’s very chromatic writing which shifts and mixes mood between praise and apprehension. The chant melody…

Mater ora filium — 14th century polyphony

This source of this charming piece of 14th century polyphony is a Gradual of Sarum chant now in the University of Oxford’s Bodleian Library1 Both the composer and the text’s author are unknown and it seems likely as it was the only polyphonic item in the gradual that it was intended for liturgical use. It’s…

Nunc Dimittis – Huw Morgan (2015)

A setting of the Nunc Dimittis (Luke 2: 29-32) in English by Huw Morgan. Sung here by the Merbecke Choir of Southwark Cathedral. This work is published by Firehead Editions: http://fireheadeditions.com/downloads… Photograph of Muckross Abbey, Ireland, by the composer. www.huwmorgantheorgan.com www.merbecke.org.uk Enjoy :-). mfi