Luca Marenzio (±1554 – 1599): O Rex gloriae

Luca Marenzio, better known for his madrigals than his sacred music although he did produce one book of sacred madrigals his Motectorum pro festis totius anni in 1585 from which this setting of  O Rex gloriae (O King of glory) the Antiphon to the Magnificat for Second Vespers at Ascension comes. It’s a four-part setting…

Alessandro Grandi (±1586 – 1630): O quam tu pulchra es

There are quite a few good performances on YouTube  of Grandi’s motet based upon the Song of Songs for soloist with continuo accompaniment, including this very nice performance by Philippe Jaroussky one which tends to be overlooked is this rendition by Arianna Vendittelli, accompanied by Renato Criscuolo and Simone Vallerotornda of Musicaperduta. Enjoy :-). mfi

Tomás Luis de Victoria (1548-1611): Ascendens Christus in altum – Gradualia

This impressive live performance of Victoria’s five-part (SSATB) Ascension motet Ascendens Christus in altum (Christ ascending on high) shows what a small talented choir can do with Victoria’s wonderfully sunny and happy music. Modern performances of Victoria’s music tend to involve large forces but as Gradualia’s excellent performance which you can hear below clearly demonstrates…

Josquin Des Prez (±1450 1521): Virgo salutiferi

In 1503 Duke Ercole I of Ferrara overruled his advisers and employed Josquin as maestro di cappella they’d advised him to hire Heinrich Isaac instead of Josquin because he was easier to get on with, was more companionable, far less inclined to make a fuss about composing on demand, and last but by no means…