Peter Philips (1560-1628): Ascendit Deus

Peter Philips’ five-part setting of the Offertory motet Ascendit Deus (God has ascended) was written In Festo Ascensionis Domini it takes its text from Psalm Psalm 46 (47): 5 and 102 (103):19. As you might expect from Philips it’s a superbly written piece of  music which opens with a marvellous rising figure before moving on…

Peter Philips (1560-1628): Cantabant Sancti

Philips  composed Cantabant Sancti (The Saints sing) In Festo SS. Innocentium – in honour of The Feast of the Holy Innocents which falls on December 28th and commemorates the massacre of the children by King Herod in his attempt to kill the infant Jesus (Matthew 2:16–18). It’s a responsory and versicle that starts with just…

Peter Philips (1560-1628): Ave Regina cælorum

Peter Philips’ setting of the Marian antiphon Ave Regina cælorum (Hail, Queen of heaven) was published in his Cantiones Sacræ of 1612. It’s a five-part (SSATB) setting very much in the new Roman style. The five-voice structure meant that he could vary the texture at will to reflect words or phrases in his text coupled…

Peter Philips (±1560-1628): Surgens Jesus Dominus

Back in May 2013 I posted a performance of Philips’ wonderful Easter motet by the Tudor Consort (see: Peter Philips (±1560-1628): Surgens Jesus Dominus | Saturday Chorale – mfi) it’s a fine performance of a superb piece of  music that’s well worth your while listening to. I also greatly enjoy the somewhat more sedate performance…