Peter Philips (±1560-1628): O quam suavis

This is the second of two settings by Philips of O quam suavis the Magnificat Antiphon for First Vespers on the Feast of Corpus Christi, it’s an eight-part (SATB.SATB) setting  and was published in the 1613 in the first edition of his Cantiones sacrae octonis vocibus. The setting is a bit unusual in that he…

Peter Philips (1560-1628): Ascendit Deus

Peter Philips’ five-part setting of the Offertory motet Ascendit Deus (God has ascended) was written In Festo Ascensionis Domini it takes its text from Psalm Psalm 46 (47): 5 and 102 (103):19. As you might expect from Philips it’s a superbly written piece of  music which opens with a marvellous rising figure before moving on…

Peter Philips (1560-1628): Cantabant Sancti

Philips  composed Cantabant Sancti (The Saints sing) In Festo SS. Innocentium – in honour of The Feast of the Holy Innocents which falls on December 28th and commemorates the massacre of the children by King Herod in his attempt to kill the infant Jesus (Matthew 2:16–18). It’s a responsory and versicle that starts with just…

Peter Philips (1560-1628): Ave Regina cælorum

Peter Philips’ setting of the Marian antiphon Ave Regina cælorum (Hail, Queen of heaven) was published in his Cantiones Sacræ of 1612. It’s a five-part (SSATB) setting very much in the new Roman style. The five-voice structure meant that he could vary the texture at will to reflect words or phrases in his text coupled…