Thomas Tallis (±1505-1585): Come, Holy Ghost

You may have heard Tallis’ English language setting of Veni Creator referred to as "Tallis’ Ordinal" it’s to be found in the whole Psalter translated into English metre published in 1567 by the Elizabethan music printer John Day. That psalter contained inter alia metrical translations of psalms by Matthew Parker, the first Anglican Archbishop of…

Robert White (±1538-1574): Domine, quis habitabit (III)

Mid-sixteenth century English composers were great admirers of Josquin and sought to emulate him. His psalm motets were particularly admired and pretty much everyone tried their hand at least once, White was no exception this is his setting of Psalm 14 – you might find it interesting to contrast it with Byrd’s setting about  which…

Feature: Thomas Tallis (±1505-1585): Sancte Deus

In early Tudor England composers produced four main types of church music: Masses, Magnificats, Votive antiphons Smaller liturgical pieces From this we know that Tallis would have composed this votive antiphon for four voices (SATB) during Henry VIII’s reign but before the Reformation. It must have been fairly popular because it was set both by…

John Sheppard (±1515-1558): Haec dies quam fecit Dominus

Sheppard’s best work is for the Latin liturgy written during the five years of Queen Mary I’s reign and her attempt to roll back the protestant reforms of Henry VII and Edward VI. He seems to have made something of a specialism of plainsong-based settings  of  Responds, Gradualia  and Hymns, Haec dies quam fecit Dominus…